Running Free bronze galloping horses

An update on the three galloping quarter horses "Running Free".

I wanted to share a photo of the first of the edition in place on the collectors beautiful custom fireplace mantel which was created specially to highlight this bronze sculpture. I think the setting is just incredible and really compliments the bronze horses!

See more of my bronze horse sculptures at www.corpany.com 

The beautiful custom fireplace and mantel with the bronze horses running across it.

I love the photo that was hung behind the bronze sculpture of the horses giving a setting that they are running through!

Liftoff! Bronze jumping horse sculpture by Kim Corpany

I am thrilled to share the bronze sculpture "Liftoff!" in it's finished form.

 I was even more excited to receive the response from the client for whom this bronze was created as a surprise anniversary present for his wife. His very skilled wife and one of her awesomely talented show jumping horses were the subject of the bronze sculpture.
His note to me:

Kim,

The sculpture arrived today and is absolutely beautiful. What a work of art! It brought my wife tears of joy, and was admired all evening by our 2-year old daughter.

Thank you for all of your hard work; it will be cherished for years to come.

Patrick

So pleased that they now have this bronze sculpture!

To see more of my bronze horse sculptures, visit www.corpany.com  

Jumping Horse Bronze Sculpture

This jumping horse bronze sculpture is a custom portrait that is now going through the casting process. I am excited about this piece, because in the finished bronze it will not have the support post going up into the horse's belly. It is always exciting to me to make a bronze horse appear to defy gravity as it flies through the air.

To share a little more of the process of creating this sculpture, the sketch below was the beginning of the process. The client provided a good number of excellent photos of the horse and rider featured here, although none of them were in this exact pose. The client also provided a few of the measurements of the horse and the rider in order to keep the proportions correct.

My Seabiscuit bronze at Frank R Howard Memorial Hospital

After years of delays on the hospital's construction, my larger than life-size bronze horse sculpture of Seabiscuit has finally made it to Frank R. Howard Memorial Hospital in Willits, CA.

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George Washington at his new home in Valley Forge, PA

George Washington bronze equestrian monument located at Freedom's Foundation Valley Forge. PA.

After the bronze horse was initially placed on the cement footing, We were able to get funding to have a taller pedestal created. 

  

The finished bronze George Washington statue on it's way to Valley Forge, PA.

In order for the tall bronze to be shipped from Kearns, Utah to Freedoms Foundation Valley Forge, Pennsylvania, the statue was loaded and strapped onto a low trailer. This allowed the monument to fit under the underpasses along the way.

When we the bronze George Washington arrived in Valley Forge we hired a huge crane to set in place.

Sculptor and Foundry owner Stan Watts setting our George Washington equestrian monument in place with the help of a really big crane.

George Washington equestrian monument - the casting process

After the molds are peeled off of the clay sculpture, heated wax is poured into the sections of the mold and then cooled. This creates a wax that is about 1/4 inch thick or less and is identical to that section of the outer surface of the sculpture. These wax panels are attached to wax sprews and gates which are essentially rods of wax which will become large straws through which the molten bronze metal will travel to fill up the panel. Each panel is only 16 to 20 inches square in order to allow for the foundry workers to be able to move and work with them through the casting process.
The wax sprews are then attached to a wax cup which will become a place to pour the bronze metal into. Next the wax panels are dipped in a slurry of liquid ceramic and coated with very fine sand. this sand is capable of picking up very fine detail, even the fingerprints left on the clay.
After the ceramic coating has dried completely the panel is again dipped in the slurry and coated with more sand. This process is repeated again and again, moving to coarser sand as the layers are created. Eventually, over the course of many days a rock-like or ceramic shell is formed around the wax panel. When the shell is thick enough and dry enough, it is loaded into a burn out furnace which will flash melt the wax out of the shell and heat the shell for casting.

Above, foundry workers are loading the burn out furnace. It will heat the ceramic shells to about 1700 degrees. At the same time bronze ingots are being melted to liquid in a crucible which also is heated to about 1700 degrees.

The heated ceramic shells are then removed from the furnace and molten bronze metal is poured in through the cup at the top of the shell.

When the bronze has cooled enough, the ceramic shell is broken and cleaned off of the surface of the bronze casting. In the case of a large bronze, the panels are like 3 dimensional puzzle pieces which must then be welded back together to create a hollow bronze version of the clay sculpture created by the sculptor.

Above we can see the partially assembled bronze horse  with George Washington.

The shiny areas show us where the edges of the panels were welded together and then the welds were ground down and hand textured to match the texture of the sculpture. 

Sandblasting the completed bronze horse sculpture of George Washington.

The complete bronze sculpture is sandblasted to create and even finish over the entire surface. Patina will then be applied to the surface using heat and chemical reactions on the metal to color the bronze. The surface will then be either laquered and when dry, waxed or else it will be heated and hot wax will be applied to seal the surface of the bronze. When the bronze metal is heated it draws the wax into the pores of the metal, creating a finish which will protect the bronze from the elements.

Cleaning and re applying wax at least yearly is recommended for all outdoor bronze sculptures to maintain the integrity of the finish.

Come to my website www.corpany.com to see more of my bronze horse sculptures.

Until next time, Kim Corpany.

The finished clay model of George Washington ready for the mold making process.

The finished clay model of General George Washington, titled "On a Firm Foundation."
This bronze equestrian monument now ready to become a bronze sculpture was sculpted by Kim Corpany and Stan Watts.
Mr. Watts sculpted General Washington while Ms. Corpany sculpted his beautiful horse.

The sculpture is now ready to have a rubber and fiberglass mold created in order to create a lost wax bronze casting. Above, foundry workers paint liquid rubber onto the clay sculpture and metal shims which have been attached to the statue in order to divide the parts of the mold so that they can be opened.

Here, paper shims have been added over the rubber covered shims. Then Fiberglass is applied to the rubber to form a mother mold which will support the rubber when it is removed from the clay model.
Next; the lost wax bronze casting process begins.

To see more of my bronze horse sculptures go to www.corpany.com

More next time!  -Kim Corpany

Creating a large bronze sculpture - George Washington on his horse at Freedom's Foundation Valley Forge, PA.

I'd like to share the progress of a bronze monument as it goes from creation as a clay sculpture through the bronze casting process. This is a monument I created with Stan Watts. Mr. Watts sculpted the likeness of George Washington, while I sculpted the likeness of his 1/2 Arabian stallion Blueskin.

Here you can see George and his horse roughed in in clay.the basic forms are blocked in. The horse is closer to being finished because it had to be pretty far along in order for us to ensure the proper placement of General Washington in his saddle.

We used a model in costume in order to get the details of the uniform and cloak correct.

Kim Corpany sculpting George Washington's horse for the bronze monument while Stan Watts sculpts General George Washington.

Next time: the finished clay sculpture

See more bronze horse sculptures by Kim Corpany at

www.corpany.com

A few words about patina on bronze statues

Patina (pronounced /ˈpætəna/ or /pəˈtiːnə/ ) is a tarnish that forms on the surface of bronze which is produced by oxidation or other chemical processes.

    

Patination is the process of applying layers of color to the surface of a bronze sculpture. The patina artist creates this color by applying chemicals on the sculpture with heat. Patina is also the natural reaction of bronze to atmospheric conditions, such as chemicals and humidity and even man made environmental conditions such as water from sprinklers. The artist or the foundry will protect the patina with coats of wax or a lacquer to deter change in the patina. Because atmospheric elements constantly work on bronze surfaces after leaving the foundry, certain steps can be taken by the art collector to help preserve the original patina of the bronze sculpture.

Bronze is a very durable metal. Your bronze sculpture can last for centuries! The patina is the most delicate part of your bronze. 

 Many bronze collectors prefer to let the wax coating wear thin and enjoy the natural reaction and aging process of the patina especially on outdoor bronze sculptures.   Wise collectors consult with a patina artist, foundry, or art conservator regarding any major changes in your bronze sculpture's patina.I recommend patina artist Laurie Tidwell and her company Patina Works   for excellent patina on bronze sculpture.

An excellent book on bronze sculpture patina is available from Colorado patina artist Patrick Kipper.

See more of my bronze horse sculptures at www.corpany.com!